Tuesday, November 25, 2025
unexpendable
Thursday, January 30, 2025
calling
Sunday, January 26, 2025
throughline
Wednesday, January 22, 2025
paper towns
Wednesday, January 15, 2025
retropost: a plank in reason broke
author's note: this is a post i started writing on march 24, 2021. i didn't finish it, and the context in which it was begun has passed. but i will do my best to finish what i started, because i still think that it's important. if you like, you can read it in the context of whatever else i was writing at the time. in my memory, this post is fairly well indicative of what that time was like.
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not a lot of people know this, but i took mma classes for about a year. i liked the idea of combining exercise with the ability to defend myself, should i need to. it felt empowering to think that should i find myself in a potentially dangerous situation, i would not be completely and entirely helpless.
but one class in particular stands out in my mind. that day, Sifu didn't have any new punches or combos for us. instead, we were to practice taking hits in a way that would protect vitals--the head and sensory organs mostly, but also, to an extent, the internal organs. of course, we had done blocking and parrying of strikes before, but that was more about watching our opponents and avoiding their attacks. in this case, there was no avoiding. we were instructed to say something if it ever became too much. when it came to it, i didn't have to do that, but it was still an odd feeling--being able to do nothing except cover my head with my arms and accept hit after hit after hit. afterwards my arms were sore and bruised for over a week. it was a strange class, and some might even question the wisdom of it--something i hadn't really considered until i started getting questions about my bruises.
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i am fairly good at blocking and parrying. in the metaphorical sense. in the physical sense, i'm not much of an athlete, and my general coordination is, at most, average by the most generous of estimates. but in life? a strategist. perhaps my greatest strength and weakness is thinking through all the possibilities, and seeing challenges from a mile away. (even in my mma class, i improved mainly by analyzing and choreographing in my head, rather than through force or instinct!) this skill allows me to avoid and redirect problems often enough for me to consider it an asset.
but like, it's an asset in the same way that i used to consider perfectionism to be an asset. which is to say, it can be extremely beneficial, until it intoxicates and corrupts you from the inside. this is what overthinking does to me. the same skill that helps me see many future possibilities can become the one that shows me why none of them end well. the same skill that helps me analyze past events is the same one that nitpicks and accuses me of every shortcoming. and the same skill that helps me understand multiple perspectives is the same one that makes me question my own, until i can no longer be sure of what is true. ironic that something that is supposed to sort through information can make things so much less clear, right?
so very easily, this overpowered rumination can be used against me, and let me tell you, it is a force to be reckoned with. i left out something important, actually. the main point of this mma class was to teach self-defense techniques to women--not to win or to take down attackers, which would, in many situations, be a losing battle, but to buy enough time to get away. there are times when your enemy is just bigger and stronger than you, and you alone have no chance against them. with all your strategies, you can't fend off the attacks forever--even attacks against your character, your values, your relationships, your perceptions of yourself, your very understanding of what is true and good and right--you may not even be able to fight back at all, especially when the hits just keep coming at you. at a certain point, the best you can do is to stop engaging. you put your head down, try to protect your vitals, take the hits as they come, and survive. and pray that in the end, the damage you do take is healable.
Tuesday, January 14, 2025
sketches on grief
Saturday, January 11, 2025
gross. (pt 1?)
emotion is a performance art
i used to believe that i was just not a very outwardly expressive person. whether or not that was actually true is debatable, but at the very least, i have a strong distinction in my mind between strong emotions and the prudence of allowing them to be seen. keeping my cards close to my chest, for most of my memory, has been the default option.
in any case, i think i have developed over time, through a fair amount of observation and mimicry, a more normal way of interacting with the world. not to say that i am, or have ever felt, anything like "normal," if that’s even a thing. rather, i have grown accustomed to projecting my personality and thoughts (at times) to be more extreme or evident than they would naturally express themselves, so that i would be more easily known.
which, like, we all do to some extent, right? we all find ways to project some version or another of who we are. it's not even fake to do so, i think. no person is all and exclusively one way.
so it seems like there is a performative nature to self expression, no matter how you slice it. this becomes even more evident when you are deliberately trying to communicate with others. for example: maybe you give me a birthday present, and it's something i feel very excited about. i might not naturally express a lot of excitement normally, even if i feel it. but for your benefit, i might make a show of acting very excited, so that you will correctly understand the truth, that i am actually excited and pleased by this. it's strange because i have to go the extra mile and exaggerate in order to correctly convey the truth.
so the strange question becomes this: how much of expression is a performance for someone else's benefit, and how much of it is "genuine"? if i express myself (in face, in voice, or in action) in a way that feels genuine to me but gives someone else a wrong idea of my meaning, is that more or less "true" than creating a "performance" to help them understand me better?
also, this gets even more twisted once you start to see expression not only as an outpouring of yourself, but a reinforcement or a teaching to yourself. so does my expressing something externally make it more true, like a self-fulfilling prophecy? if, for example, i laugh loudly at something, do i reinforce my own feeling of amusement?
i know my definitions are a mess here, which is making this harder to sort through. what does it mean for something to be true, vs. genuine? my immediate thought is "what i mean in my head" vs. "the effect caused inevitably or unconsciously by what's happening in my head," respectively. whereas by performance, i mean "something i am doing intentionally, to produce a specific effect." and by expression, i mean "the way i appear, sound, or act in response to something." anyway, moving on!
weirdly, this kind of ties back into my belief that we ourselves are something that we are simultaneously discovering and deciding. my "self-expression," as an extension of "myself" is, to some extent, something that flows out of who i am. and in a way, so does the way i make decisions about that expression. but also, to some extent, the expressions (and the decisions to respond in those ways) inform the trajectory of who i grow into.